以博尼采的说法类比前三分之一的中欧背景是门面(facade)亦是具有政治性的污点/反常客体是贵妇的消失一方面产生罪行、使凝视着落另一方面将情侣粘合年轻漂亮的中文是一场“致命的滥交”(fatal promiscuity)形成“暂时的三重结合”(mènage à trois)加之以粘滞放缓、主观性延长的时间流程和频繁反转、跳跃的情节与节奏最后在不稳定和濒临险境时走向大团圆结局介于默片气质的杂耍与有声片的淫秽之间在经典叙事框架以里维护古典意识形态新符码渐渐成型作者性初显
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伦敦的2022.12.3晚上我在George的房间和他看完了这部纪录片He said, only Greek can really understand this documentary but I hope you can catch a glimpse of my city. After watching, he said there’s elegance behind the chaotic streets, there’s love in the city. I told him that he shares some similarities with the city, elegant, vibrant, full of energy…